When used incorrectly compression can quickly ruin a good vocal recording and make your music sound amateur and over processed.
Live sound vocal compression.
The processor is ideal for use in practices and live performances.
When used correctly compression is a key ingredient for vocals that sound professional modern and radio ready.
There is no one size fits all formula to vocal compression.
Lead vocals some recording engineers think compression is a must for vocals.
This tc helicon t1 vocal compression unit is perfect for any singer looking for a singular functioning effects pedal.
I wish i could do that too.
We would recommend this to a hobbyist singer songwriter musician.
Now without soloing the vocal slowly turn down the threshold knob to adjust the amount of compression on the vocal.
You can use compression on vocals to just even out the performance and to create an effect.
This pedal s primary function is to help a singer control vocal dynamics and tone.
For a vocal starting point set your threshold to 0db or 2db and a ratio of either 1 5 1 or 2 1.
Compression your best friend and your worst enemy.
Many bloggers will tell you what the perfect vocal compression settings are.
The lead vocals should be the center of your attention.
But the truth is it s not that easy.
Compression should be used sparingly.
You can set the attack release to auto or go to 12 o clock on either one.
It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion.
And i don t want to mislead you.
Heck it d certainly save me a few keystrokes.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
This is a fine way to start with a comp on vocals and will let you actually hear much of whats happening as you dial it in and hear the way the compressor works with the voice.
If the vocal s volume drops down then adjust the makeup gain input.
